Fortunately, he definitely did. Us is every bit as well-acted and directed as Get Out. The cinematography is far beyond your average horror film and the sound design is fairly amazing. Readers who frequent horror movies will be used to the ‘gah!’ sound effect that usually accompanies sudden jumpscares in post-2000 films. Luckily, this is almost entirely absent, as Peele prefers to use the actual diegetic noise (the breaking of glass etc.) to make viewers jump.
While Get Out was definitely a strange film, Us shows that Peele is not willing to make a straightforward horror movie just yet. Us’ script is even more bizarre, unique and original. This is complemented by the original score, composed by Michael Abels, who also did Get Out, which is just as countercultural as the film. New, more sinister-sounding covers of existing songs are also put in to add to the tension. All of the performances are great, especially those actors and actresses who had to play two characters, with different voices and movements. Usually child/teen actors are horrible in movies but these ones were all pretty good (apart from two minor characters).
However, for all Us succeeds in those elements, it’s final few minutes let it down. Without spoiling anything, they involve a twist that is painfully obvious if you’re paying attention. I predicted it pretty much in the first scene and I don’t usually predict plot twists. That’s really my only major complaint. Some of the scenes went on a little too long or were a little too short, by they hardly detracted from my experience.
Us is tense, funny and thought-provoking, and I highly recommend it, even if horror is typically not your thing.
Score: ⭐⭐⭐⭐1/2
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